A cold-hearted killer, a crook who cooks, a drop-dead blonde and a couple of cops are looking for sex, looking for money, looking to stay alive. But all of them are looking to get out of the valley and they've got just two days to do it.

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Genre: Feature Film-Action/Adventure
Rating: R
Release Date: 8-JAN-2008
Media Type: Blu-Ray

Cameron falls for Bianca. The only problem is that Bianca is forbidden to date until her ill-tempered, completely un-dateable older sister Kat goes out. In an attempt to solve his problem, Cameron singles out the only guy who could possibly be a match for Kat: a mysterious bad-boy with a nasty reputation of his own. Includes theatrical trailer.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 7-SEP-2004
Media Type: DVD

After being brutally dumped by his knockout ex-girlfriend, Matt (Josh Hartnett, Pearl Harbor) is so torn up inside that he vows to give up sexual activity—including masturbation—for Lent. His friends and coworkers start betting on how soon he'll crack. Their skepticism is given fuel when Matt meets Erica (Shannyn Sossamon, A Knight's Tale) at a laundromat. They're immediately smitten with each other, but Matt struggles to stay true to his vow, even though it threatens to founder his potential relationship with Erica. Based on this description, you might think that 40 Days and 40 Nights is religious educational video—however, the barrage of sex gags and frequent nudity would quickly dispel this notion. Almost nothing in this movie remotely resembles human behavior. Some movies are so deeply stupid that they're depressing to watch; this is one of them. —Bret Fetzer

Like Sin City before it, 300 brings Frank Miller and Lynn Varley's graphic novel vividly to life. Gerard Butler (Beowulf and Grendel, The Phantom of the Opera) radiates pure power and charisma as Leonidas, the Grecian king who leads 300 of his fellow Spartans (including David Wenham of The Lord of the Rings, Michael Fassbender, and Andrew Pleavin) into a battle against the overwhelming force of Persian invaders. Their only hope is to neutralize the numerical advantage by confronting the Persians, led by King Xerxes (Rodrigo Santoro), at the narrow strait of Thermopylae.

More engaging than Troy, the tepid and somewhat similar epic of ancient Greece, 300 is also comparable to Sin City in that the actors were shot on green screen, then added to digitally created backgrounds. The effort pays off in a strikingly stylized look and huge, sweeping battle scenes. However, it's not as to-the-letter faithful to Miller's source material as Sin City was. The plot is the same, and many of the book's images are represented just about perfectly. But some extra material has been added, including new villains (who would be considered "bosses" if this were a video game, and it often feels like one) and a political subplot involving new characters and a significantly expanded role for the Queen of Sparta (Lena Headey). While this subplot by director Zack Snyder (Dawn of the Dead) and his fellow co-writers does break up the violence, most fans would probably dismiss it as filler if it didn't involve the sexy Headey. Other viewers, of course, will be turned off by the waves of spurting blood, flying body parts, and surging testosterone. (The six-pack abs are also relentless, and the movie has more and less nudity—more female, less male—than the graphic novel.) Still, as a representation of Miller's work and as an ancient-themed action flick with a modern edge, 300 delivers. —David Horiuchi

A space mission that could reveal man's destiny is jeopardized by a malfunctioning shipboard computer. A dazzling journey that tops them all — and showed the way for other effects-packed films that followed.

From Roland Emmerich, director of THE DAY AFTER TOMORROW and INDEPENDENCE DAY, comes the ultimate action-adventure film, exploding with groundbreaking special effects. As the world faces a catastrophe of apocalyptic proportions, cities collapse and continents crumble. 2012 brings an end to the world and tells of the heroic struggle of the survivors. Starring John Cusack, Chiwetel Ejiofor, Amanda Peet, Woody Harrelson and Danny Glover.

A civilian oil rig crew is recruited to conduct a search and rescue effort when a nuclear submarine mysteriously sinks. One diver (Ed Harris) soon finds himself on a spectacular odyssey 25,000 feet below the ocean's surface where he confronts a mysterious force that has the power to change the world or destroy it. Mary Elizabeth Mastrantonio and Michael Biehn co-star.

Monty Python's Terry Gilliam (Fear and Loathing in Las Vegas) directs this wild, wild version of the stories of Baron Munchausen, pushing the limits of 1989 special effects technology to bring us such sights as a horse divided in half and running around in two parts, and a giant Robin Williams with his head flying off his shoulders. Basically, this is a treat for Gilliam fans, as the sustaining idea of the film runs out of steam, and manic energy alone keeps the momentum going. Casual viewers might find it tedious after awhile. There are nice parts for fellow Python Eric Idle, as well as Sting, Alison Steadman, and Uma Thurman as a dazzlingly beautiful Venus on a half-shell. Gilliam had greater artistic and commercial success with Brazil, The Fisher King, and 12 Monkeys. —Tom Keogh